By Bernhard Suess
Artistic Black and White images: complicated digicam and Darkroom recommendations Руководство по креативной черно-белой фотографии для фотографов всех уровней. Книга включает в себя более восьмидесяти черно-белых фотографий, где можно проследить эволюцию образов от идеи до окончательной печати. Каждый пример сопровождается подробным объяснением художественных и технических процессов, а также полезно посмотреть, как и почему фотограф решил использовать именно эти приёмы. artistic Black-and-White images courses photographers in any respect degrees in generating the aesthetically complicated, rigorously crafted photographs theyve continually dreamed of constructing. In his sequel to gaining knowledge of Black-and-White images, photographer Bernhard J Suess back makes advanced technical and aesthetic difficulties effortless to appreciate and grasp. He addresses elaborate questions of movie publicity and improvement regulate, digital camera filters, inventive use of print distinction, dodging and burning, bleaching, and electronic imaging. Discussing the numerous offerings he makes in his personal images and why, Suess illustrates the selections necessary to winning black-and-white photographs. The ebook contains greater than 80 black-and-white pictures, tracing the evolution of pictures from suggestion to ultimate print. each one instance is followed via a close rationalization of the inventive and technical techniques concerned in addition to a important examine how and why the photographer made up our minds to take advantage of the recommendations. even if selecting a digital camera structure, arranging a historical past, or composing a portrait, this beneficial source exhibits photographers how one can stability diversified parts in an image and take complicated steps in growing greater black-and-white pictures.
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Extra resources for Creative Black and White Photography Advanced Camera and Darkroom Techniques
Since it was a single shot that I was after, and I planned to have the camera on a tripod for the long exposure, I decided to use a large-format camera. There would be the added benefit of perspective control, necessary since I was shooting down at my architectural subjects. My 4 × 5 would also lend itself to the contemplative nature of the image I had in mind. My first attempt was at the end of March. I got to the bank building early in the evening. I had been told I needed to arrive while the maintenance people were cleaning the building.
20). Next, attach two of the pairs together by taping along the three common edges when you roughly form a cube. The difficult part is attaching the third pair that completes the cube. Taping these can be tricky and the result usually isn’t flawless, but the resulting cube is almost always serviceable. Since constructing the tone cube can be difficult and time consuming, I’ve had a manufacturer make them for me. If you write to me directly, I will send you information where a tone cube can be purchased (my address is listed in appendix C).
It gives me time to live with the images for a while. Doing so helps me to decide whether or not to proceed with a final print of a particular image. The test print from the Death Valley dune—made at f/8 at 7 seconds—was extremely low in contrast, even lower than I’d expected (fig. 17). There was plenty of shadow detail as I’d guessed. The sand of the dunes in Death Valley is like most beach sand. It’s not the brilliant white of the gypsum sand at White Sands in New Mexico. A realistic rendition would probably be made by using a higher contrast filter, but not the highest contrast.
Creative Black and White Photography Advanced Camera and Darkroom Techniques by Bernhard Suess