By Barry Cooper
This booklet is the 1st survey of composers born sooner than 1900 who wrote significant musical works sooner than age sixteen. The ebook offers a basic assessment of the topic to the current day, arguing that those works have often been marginalized, denigrated, or overlooked with no justification, and deciding on attainable purposes for this. it's also an annotated record of good over a hundred remarkable baby composers, providing a necessary and convenient reference of those creators and their works earlier than age sixteen.
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Extra resources for Child Composers and Their Works: A Historical Survey
Once this stage was reached, however good a child’s compositions might be, they would be likely to suffer the kinds of unjust criticism or neglect demonstrated in this chapter. Reversing such prejudices will be a long, slow process. NOTES 1. Some of these reasons have already been explored briefly in Barry Cooper, “Major Minors,” The Musical Times 137 (August 1996): 9–10. 2. Marcia J. Citron, Gender and the Musical Canon (Cambridge: Cambridge University Press, 1993), 131. The Marginalization of Children’s Compositions of the Past 43 3.
Uk. 18. Information on Greenberg is available on many websites, notably The Juilliard Journal Online 18, no. 8 (May 2003); 22, no. 2 (Oct. edu. 19. uk. 20. Paul Griffiths, Bartók, 2nd ed. (London: Dent, 1988), 4. • 3• The Marginalization of Children’s Compositions of the Past D espite the substantial amount of music written by children of the past, as indicated in the Checklist in Part 2, very little has received even a brief mention in recent music histories. 1 The most basic reason is simply that disproportionately large numbers of sources of children’s compositions have been lost.
This seems a classic case of unthinking prejudice in which the writer seems unaware that preconceptions are impeding a balanced assessment of children’s music in general or of individual works. ” Mozart and Mendelssohn are curiously and somewhat arbitrarily exempted by Vitercik in this strange, anti-child world, but otherwise, we are told, “The juvenilia of no other composer . . 43 What musical features would qualify as evidence of youthful spontaneity, and how far Vitercik has looked through the works of the one hundred or more composers named in the Checklist to support his view, remain unclear; but his claim clearly does not withstand scrutiny.
Child Composers and Their Works: A Historical Survey by Barry Cooper